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visual physiognomy or researches of outlines of a human face

Physiognomy.

Open gallery of human emotions.
Geometrical proportions of a human face.
Hexagrams of the Chinese Book of Changes I Ching.

This website represents the information on visual physiognomy or researches of outlines of a human face not only from the point of view of emotional displays, but also psychological values which are displayed in outlines and forms of faces.
Hexagrams of the Chinese Classical Book of Changes I Ching or I Jing in a context of offered concepts of physiognomy are symbols which allow to systematize forms and outlines, and in essence allow to systematize elements of a human face that allows to describe emotions and psychological values by means of a mathematical character set as hexagrams I Ching can be considered not only as conjectural signs but as symbols of mathematics.

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The word physiognomy consists of the Greek words "physio" and "gnosis" which mean knowledge of a nature, and in essence knowledge of human nature.
In modern understanding the physiognomy means art of recognition of features of human character by means of researches of facial forms.
The physiognomy is art as the understanding of human faces is an inexplicable skill which is not realized for the man. In essence skill to understand language of human faces is a natural feature of the man as during dialogue people realize and express the basic information by means of a mimicry. Each man sees and realizes faces of other people though probably does not notice the fact of observation.
It is possible to tell that the understanding of faces is a natural and not noticed property of the man, but nevertheless observation of human faces is art if the man fixes results of observation which thus become physiognomic representations and can be used for understanding of a human nature. And in particular can be used for measurement of analogies between characters and emotional conditions of people in the event that faces of people have similar physiognomic forms or express identical emotions. Namely the physiognomy allows to compare faces of people and to carry similar faces to identical types and kinds that allows to speak about similar characters or emotional potentials of people, and in essence the physiognomy allows to systematize various human faces and to analyze mutual relation of people.
If physiognomic representations are systematized then the physiognomy becomes a science which can be studied the same as study mathematics or geometry.
Pages of this site represent a simple and accessible method for ordering of physiognomic and physionomic representations by means of mathematical system which  hexagrams of the Book of Changes I Ching are. Use of  hexagrams I Ching allows to make physiognomic and physionomic schemes and to realize language of a human face by means of a convenient complex of symbols.
Namely pages of this site represent physionomic images which show emotional images of a human face, and the face is considered from the view point of emotional changes which are systematized according to hexagrams I Ching. And also this site represents physiognomic images which too are systematized according to hexagrams I Ching but allow to estimate types of human character. Provided that terms "physiognomy" and "physionomy" concern to different ways of observation of human faces, and describe different aspects of a human person. The physionomy considers varied human emotions and allows to draw conclusions on emotional displays of the person, and physiognomy considers constant features of a human face and allows to draw conclusions on psychology of the human person.

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The physiognomy is science or the knowledge on forms of a human face which have the sizes and parameters, and consequently can be measured just as in other sciences carry out measurements of various objects. But in traditional physiognomy there are no measurements i.e. physiognomists describe forms of a face approximately and do not apply exact measurements. Therefore the physiognomy offered on pages of this site, or otherwise to tell neo-physiognomy, differs from traditional physiognomy as except for usual physiognomic methods represents physiognomic methods which demand exact measurements.
And also the neo-physiognomy considers proportions of a human face and gives the method for comparisons of proportions of a face with proportions of correct geometrical figures that allows to consider a human face not only from the view point of psychological features of a person but also from the view point of aesthetic beauty and harmony.


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