|
Page 1.
|
 |
Physiognomy. Nine pages in this site section represent the information which allows to compare physiognomy of a human face to numbers in numerology, and also give comparison of physiognomy to various psychological and philosophical concepts of the human person.
The information about faces of people and numerology is open (free-of-charge) but nerveless you must to
pay 6 euro if you have such opportunity.
The first page compares nine physiognomic levels of a face to 9
numbers of Pythagorean numerology, and also gives comparison of
nine-level and twelve - level physiognomic systems. |
-
Numbers in numerology are 9 marks which correspond to mathematical numbers of
decimal system of calculations, but mathematical marks are symbols which
designate the phenomena of world around, and in essence designate "sizes"
(magnitudes) of the existing phenomena which make the world. It is possible to
tell that numbers form a scale according to which the existing phenomena have
gradation in a range of the world validity and have an actuality according to
different parameters of numbers in intervals of a scale.
The human face too corresponds with a world scale according to which the
phenomena of world have different degrees of actualities, namely physiognomic
levels of a face specify actualities of those or other phenomena which are
peculiar to the man. Hence, numerological numbers and the phenomena of world
around and also physiognomic levels of a human face are comparable, that is
shown in the table:
 |
To top of a forehead there corresponds number 9 and the
mythological goddess Aphrodite. To middle of a forehead there corresponds number 8 and mythological gods Apollo and Dionysus. To eyebrows there corresponds number 7 and mythological gods Hephaestus and Prometheus. To top of nose bridge there corresponds number 6 and mythological gods Zeus, Poseidon, Demeter, Hestia. To middle of nose bridge there corresponds number 5 and the mythological goddess Athena. To a nose-tip there corresponds number 4 and mythological goddesses Hera and Leto. To upper lip there corresponds number 3 and the mythological god Hermes To lower lip there corresponds number 2 and mythological gods Artemis and Hecate. To chin there corresponds number 1 and mythological gods Ares and Eris. |
-
Numerological numbers correspond with images of gods of ancient Greek
mythology that corresponds to principles of Pythagorean numerology, namely
numbers have values which are similar to characteristics of gods in myths of
ancient Greece. And also people have characteristics similar to characteristics
of ancient Greek gods if the appropriate physiognomic levels of human faces are
expressed.
1. The expressed chin (Ares and Eris).
Mythological Ares is a deity having energy and accordingly people have force for
realization of vigorous actions, namely people are capable to put forward own
requirements and to achieve desirable results that corresponds to reactionary
feelings.
Ares is the god of war, but it does not mean that the man with the expressed
chin is aggressive as human faces seldom have only one expressed physiognomic
level. Except for a chin the man can have other expressed physiognomic levels
which correspond to characteristics of other gods which can be mutually
exclusive, namely can constrain aggressive characteristics of Ares. But if only
the chin is considerably expressed concerning other physiognomic levels then the
man can be aggressive.
Also other listed characteristics of gods are not unconditional, but are
caused by ratio of physiognomic levels of human faces or otherwise to tell are
caused by mutual relation which mythological gods have.
Besides number 1 in numerology and the expressed chin in physiognomy correspond
with the mythological Eris who is the goddess of contention and was the
initiator of Trojan war, but also Eris is a goddess of persistent work and labor
rivalry, or sports rivalry.
2. The expressed lower lip (Artemis and Hecate).
Mythological Artemis is a spontaneous goddess who protects laws of a nature,
namely she follows natural displays of vital desires and becomes violent if
natural laws are broken. Provided that Artemis has dual image, namely she is
spontaneous but also in myths there is an image of the chaste goddess who tames
unrestrained customs of the spontaneous world. It is possible to tell that
Artemis is capable to raise elements but also can rule over elements that
corresponds to compromise feelings.
Hecate is the mythological goddess of charms, namely she is capable to fascinate
people as the mysterious and not realized forces of a nature are latent in image
of Hecate.
Besides number 2 in numerology and the expressed lower lip in physiognomy
correspond with the mythological Selene who is personification of the moon, and
the moon is a symbol of sensuality and consequently it seems that people with
the expressed lower lip have expressive feelings.
3. The expressed upper lip (Hermes).
Mythological Hermes is an intermediary between the world of gods and the world
of people that personifies a principle of a subordination and corresponds with
regulated feelings which mean observance of rules in mutual relation.
The opportunity of penetration into the world of gods and into the world of
people is an insight, namely Hermes has acute feelings and astute perception of
the world, or it is possible to tell that the extrasensory sensation of the
world is inherent in Hermes.
Besides Hermes is a patron of trickery and cunning as the intensive sensation of
world around allows to manipulate feelings of people.
4. The expressed nose-tip (Hera and Leto).
Mythological Hera is a goddess who is a symbol of matrimonial mutual relation
and is the wife of the Supreme Olympic god, namely matrimonial relation are an
attribute of significant position in a society that is possible by means of
participation in misters of the world. It corresponds with radical individuality
according to which the man shows the own person, namely Hera aspires to titles
for the sake of demonstration of the own person and requires patrons, but she
adheres to principles of equality and respect in mutual relation. If principles
of mutual respect are broken then Hera is the vindictive and jealous goddess but
the revenge and jealousy are necessary for restoration of fairness.
Mythological Leto does not aspire to significant position in a society but she
is proud of glory of children and accepts honors which are possible due to
children, and also Leto aspires to the consent and unanimity in mutual relation.
5. The expressed middle of nose bridge (Athena).
Athena is a most significant figure of ancient Greek mythology equal to the
Supreme Olympic gods and not subject to authority of the Supreme gods. Namely
Athena is the independent and exclusive goddess in relation to other gods that
corresponds with arbitrary individuality.
She is fearless and demands respect in mutual relation. She is capable to be the
leader and can carry away people by means of an own example, namely Athena does
not command about gods and people but she promotes voluntary displays of human
aspirations.
6. The expressed top of nose bridge (Zeus, Poseidon, Demeter,
Hestia).
Mythological Zeus, Poseidon, Demeter, Hestia are Supreme Olympic gods who have
unconditional authority.
Zeus is a head of the Supreme gods and consequently does not realize function of
authority itself, but other gods execute his will and as a result Zeus organizes
the measured order of life. Namely image of Zeus seems terrible and impressive
and consequently is the reason of unconditional submission, but also Zeus is a
majestic god who is benevolent to people, and brings in the world calmness and
confidence.
Poseidon is a god of water elements and consequently has violent temper, namely
he does not submit to another's will but aspires to own power. Poseidon is the
successful and safe god but violent temper is shown if someone challenges the
right of his authority.
Demeter is a most esteemed Olympic deity as is a source of fertility of the
ground and material welfare, namely image of Demeter associates with abundance
and riches.
Hestia is a keeper of eternal fire which is a symbol of firmness of the world.
In myths of ancient Greece four Supreme gods correspond with 4 world
elements. Zeus corresponds with elements of air, Poseidon corresponds with
elements of water, Demeter corresponds with elements of earth, Hestia
corresponds with elements of fire. Therefore it is possible to compare image of
Zeus with a nose-tip, image of Demeter with a bottom of nose bridge, image of
Hestia with a middle of nose bridge, image of Poseidon with a top of nose bridge
if to consider four gods in a context of twelve-level physiognomic system, but
in a context of nine-level physiognomic systems four gods correspond with top of
nose bridge and correspond with conservative individuality.
Pay attention that Hera is wife of Zeus that supposes comparison of Zeus with a
nose-tip, and also according to myths of ancient Greece the Athena has
characteristics which are peculiar for Demeter and Hestia that supposes
comparison of Demeter to a bottom of nose bridge and supposes comparison of
Hestia with middle of nose bridge. Namely nine levels and twelve levels of a
human face are correlating.
7. The expressed eyebrows (Hephaestus and Prometheus).
Mythological Hephaestus is a smith and the reasonable master who creates
effective mechanisms that corresponds with analytical consciousness as presence
of analytical opportunities of consciousness is necessary for creation of
mechanisms.
Mythological Prometheus has a name which means "conceiving before" that too
corresponds with analytical consciousness, but besides Prometheus is a source of
knowledge for mankind as he teaches people and enables people to think
independently.
Brother of Prometheus is Epimetheus whose name means "conceiving after" that
corresponds with the expressed chin and numerological number 1 as Epimetheus
before operates and then realizes results of actions.
8. The expressed middle of a forehead (Apollo and Dionysus).
Mythological Apollo is founder of the Delphic Oracle, namely Apollo has gift of
prophecies that corresponds with integrating consciousness which forms
interrelations between isolated sources of the information. And also Apollo is a
god of art that too means creation of interrelations between various sources of
the information.
Mythological Dionysus is a god of winemaking, and in essence Dionysus
personifies the changed conditions of consciousness which result from influence
by a wine that is identical to processes which occur as a result of realization
of functions of integrating consciousness.
9. The expressed top of a forehead (Aphrodite).
The mythological Aphrodite is a goddess of love terrestrial and love heavenly.
In the first case the Aphrodite has additional name Pandemos and means
synthesizing level of human consciousness which is possible as a result of unity
of sources of the information and is more raised in comparison with levels of
consciousness which are accessible for Apollo or Dionysus.
In the second case the Aphrodite has additional name Urania and means
consciousness which descends on the man from the sky.
More detailed information on mythological gods of ancient Greece and numbers of
Pythagorean numerology look on pages of other site:
www.numeralgame.64g.ru/en.htm in section about numerology.
And also the information on gods of ancient Greece look in myths.
The information on reactionary, compromise, regulated feelings; about radical,
arbitrary, conservative individuality; about analytical, integrating,
synthesizing consciousness in a context of nine-level physiognomic system look
on pages of this site in section which has the name:
half faces (concepts 1).
The listed characteristics of mythological gods and numerological numbers are
compared to physiognomy of a human face in frameworks of nine-level physiognomic
systems that differs from twelve-level physiognomic system which corresponds
with geometrical proportions of the sacred Egyptian or Pythagorean triangle, and
also corresponds with 12 signs of the zodiac and astrological planets. But two
systems have projections in features of a human face where physiognomic levels
of two systems in part coincide and consequently during the physiognomic
analysis it is necessary to distinguish reference points according to which
borders of physiognomic levels are determined, that is shown on the scheme:
 |
The scheme shows a conditional contour of a human face
in profile which is divided into three physiognomic spheres. At the left in frameworks of twelve-level physiognomic system: the top sphere of consciousness includes three levels, the middle sphere of individuality includes four levels, the bottom sphere of feelings includes five levels. On the right in frameworks of nine-level physiognomic system each sphere includes three levels which correspond with levels of the twelve-level system in part according to dark and white circles, namely white circles specify levels of twelve-level system which have no conformity with levels of the nine-level system, and dark circles specify levels which have conformity. |
In essence the nine-level physiognomic system does not take into account the
bottom of nose bridge, the interval between a nose and a upper lip, the interval
between a chin and a lower lip which are taken into account in the twelve-level
system. Other physiognomic levels of two systems have conformity.
During the physiognomic analysis it is possible to be guided approximately by
points of the face which are shown by white and dark circles that is enough for
visual measurement of the expressed and not expressed levels.
Exact measurements of physiognomic levels in frameworks of twelve-level
system can be necessary for calculations of geometrical proportions of the face
about what I have told in section of this site: half
faces (concepts 3), but exact measurements are not required in a
context of nine-level physiognomic system.
The following page compares gods of ancient Greek mythology to gods of the Roman mythology and with gods of other mythologies of the ancient world, also compares gods to numbers in numerology and compares gods with physiognomy of a human face.
-
xxxxxxxxx - upwards - following
